Now I have to check
because think I’m wrong
about the whereabouts
of the moon,
of the moon,
how maybe it wasn't her
light spread out
light spread out
over your face after all
or how she hadn't given out
or how she hadn't given out
against the grey
clapboard of the neighbor’s
foreclosed house
in a windy night
of twigs and branches that make
like they’re a movie
that shake and tremble and I think
maybe I’ve come in
at the wrong time,
haven’t earned the scene
you know?
How the ones who sat down
early even before
the opening credits and walked
their jaw muscles through
every beat
every tripped wire
every fist of hair
or cheek
and they’re sad
in all the right spots
delighted in all
the right spots
pissing shit this is mad
in all the right palces
but they’re expecting
it they’re paused
on the knob
of the girl’s belly
before she gives birth
and I’m the only one
not crying when the baby's
too blue
too grey
too mute
and I’m not the one limping
home with the bloody lip
black eye moral
of the story
when the guy cleans up his son
and lays her on the girl
just then giving up
her placenta. It’s all
from those limbs, that cast
on the black night
that I saw it,
that movie
and only then at a glance
not enough my day’s gonna change
thinking these things.
But then,
there’s this block
of letters
and they make it
through
to the finish
maybe without shoes
maybe without anything
like shirts or pants
maybe just because
I thought I saw
the moon on your face
and it wasn’t that at all
it was something else
something raw
but soft, something fingers
ease into
knowing water
knowing light
knowing,
even afraid
in the dark,
me.
but soft, something fingers
ease into
knowing water
knowing light
knowing,
even afraid
in the dark,
me.
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