Pact
I believe there is a voice with no skin on it in all of us.
Stephen Berg
Notes on “Nothing in the Word/Aztec Songs”
it’s the only way to shout to the wind I suppose
or at it when the last of every thing of you I could ever
touch is taken back and the only other pair
of eyes living in the room just stare and stare
and give way like two feet unprepared
for ice, how one heel’s the first to slip
and its comic really it always gets some
kind of laugh how whoop! it’s not up in the air
really so much as a brief lead, of a dance
partner who dips and betrays the commitment
and steps back to watch his whole damn lie
Jesus what sort of man is that to abandon
I mid-dip and then...isn’t that all about power
how happy happy we come along and then
it’s all dashed like brains off the cliffs in
Mauthausen the way to carry stones up those one
hundred and eighty three steps against
the brittle bones and then slip or be forced to...
Maybe that’s not what I’m getting at watching
you die I mean to say while it’s all going down
there’s some compact made with the air
because we weren’t born birds we have
to crash the wind takes a piece of us for itself
a cut say a lender’s fee and maybe
falling like that--accident or not--is sanity
in a bassinet is new to the moon as brief
as the keep because something’s bound
to weight us down something’s bound to
break us through and maybe that shard
of bone broke on the stone is the dust
offered up and that random wind we scream
into after we’re taken down like hay
before the blade is our way of saying
There is no God there is a God there is no
god there is and it stays like that it stays
a bit of it anyway until we stand again
and mark a path with crosses and make
a pact with salt with backbone with ridicule
with innocence with the eyes of the living
and the dead looking out at the same
fucking thing and whispering to each, all four
of them, and the keeper’s keys jingle at the hip
after the door’s closed and locked and she
walks, or being dead, floats, just above the stone
pavements, away.
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