My darling, the wind falls in like stones
from the white hearted water and when we touch
we enter touch entirely. No one’s alone.
Men kill for this, or for as much.
The Truth the Dead Know
Anne Sexton
Death’s not erotic, or it’s not supposed to be,
shaped in a morality unpliable, unreliable
as a corpse in a box. It’s not supposed to make
a body want to come near the heat of another
body, to seek sweet cleavage mingled with oil
perfume, how the sweat rises with the living
rising after paying their debt respects of hanging
their head they’re just not thinking about
taking you to bed, not thoughts but I bet the body
the living still alive body is electric so electric
with the need of their naked grief it’s on their
cheek and the gleam of their chin, it’s a thin
trail going down their neck where every mourner
can smell it can read it in the air but spend
their time unreading it in respect of the bride
who holds her hand over the pew back who opens
her mouth to the host who tucks her son’s shirt
in before they leave into winter--no--we’re not
animals. We’re not like lions who drive their mates
into heat just to mate and mate again while her dead
young ones blend in with the savannah grass
and shadows pass over them from time to time
and the clouds pull apart and then darken
and she’s split into two reconciles: her dead
sons and her scattered eggs she’s just now one
by one collecting after their scatter on the kill
floor. She’s nesting and closing her eyes while
she waits for the lion to have his way. It’s a different
kind of pleasure, more a need like we’ll never need
in any other way than desire--how a woman, walking
away from her father’s fresh grave, the way she’d done
three months before with her mother, aches
for some thing to caulk the crack that’s gone from
the small of her back up to her clavicle,
and then around and deep in her breastbone
and begins to settle like a chill no lit coal could
thaw only touch only a hand under her blouse
nipple between his fore and middle finger
rising, coming alive.
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