palm on palm and a brush off
like a drake’s legs under wading
water, the bottom (though whose water
and who’s to know how far down
for the silt still drifting up and left or right
in the swishing the web feet swishing
the tail swishing (if it’s a loon, still
dripping) but, and isn’t there always
a but it’s like any gestation I suppose
and though most fourth graders know
the length of time between mice babies
and elephant babies it’s sometimes
a long time from start to absolutely over.
I’d laid next to my first husband for almost
ten years and the last half of it was over
it was but for one small technical split:
the baby was breach, and even so was
sometimes content (to make the contest
authentic) feet first and threatening
the I’ve had enough fuck this walk out
birth. It would be the only baby I carried
for him and that’s I suppose the most
defusing thing of all. How is it we can call
our mouths our eyes our hands and ears
something else after they’ve been pawed
and window dressed, after they’ve been
disabused for long enough to become
nameless, birthed feet first, the head
the last of it all to breathe? It’s silt
in the undertow when the surface is calm
as a cup of coffee. When nothing is
added but the waiting, when nothing has
to settle to the bottom but our own
commitment to drink it and wait some
more. Even empty, it’s not over, don’t you
see? Even now my first cup of coffee
is moving through me, even now I’m barely
holding on while I flex my resolve. It’s not
over, it’s just a different pond on a different body
of interlocking waters. Even rising up out of it all
even what all drips away, some stays in
and settles with our next listless aimless
exhausted rest. After the migration, what
we bring, if it’s the one or two times we let
ourselves be lost in one another, if it's
a flight or two back home, if it’s all that
time birthing a divorce, preening years
later brings the silt turned solid out
lays it dull and uncultured on the soft, just
above the water, nest, the spotted darling
evolving under the shell, under scrutiny,
always between the legs of our mercy, our
open mouth sometimes a hiss, sometimes
a song.
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