comedy and tragedy: sic vita modeled 1891-92, cast c. 1902-1905 bronze alfred gilbert clark art |
After Reading Jim
Harrison’s “Locations”
Today’s blunt lines: all my
poems are born dead.
And: In the dark barn/a
stillborn calf on the straw.
rope to hooves,
its mother bawling/nearly pulled to death.
Why those and why not the soft buttocks, why not the guitar
and the song why not all those lakes and dunes? Why not
pilots pulling the chord before the crash that everyone ran
to
and its melting in its own steel skin (is that what they’re
made
of back then?) I’m
reading you like a eulogy and you in-
tended that I bet, surveying your whole life or someone
else’s but still if nothing else it’s an attempt at
reconciliation
without the traps of accuse and excuse. You refuse to see it
any other way than this:
the dead have a breath or two left
in them after all.
Exhaling isn’t the end it’s just settling itself
on random near and far things, like duff, like lips, like
the flap
of the shirt pocket he or she closes before they go out the
door
to report or just to walk, to make a little noise or to make
no noise at all just to walk with the living and the dead in
their head.
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