Clay Baby
The delicate clay baby has your thumbprint
under the chin, its hair and eyes are fingernail
thin. When you brought it to me, cupped
in the palm of your hand I thought you just
wanted me to see. You’d been working
at the dining room table all afternoon, rolling
and squeezing, the ball of the head flat
enough into the pine so it didn’t roll, and it’s
a wonder it came up like it did without breaking
thin as it was in spots. It’s great clay you’d said, it doesn’t
dry out. And so you gave it to me, the face
an eerie mirror, and let me feel and look. Solid
and soft. The wonder of your thumbs
are all through it: calf muscle, cheekbones,
and look, an all the way around the waist sweater-
cuff, tucked at the hips and ribbed, pleated. Even
up to the chin, John Lennon in a turtleneck you said. He is
fabulous I said and handed him back--are you going
to fold him up and roll him up and take
his snake arms (oh, look at that, toast
crumbs on his bum) and that made you laugh, but
in all seriousness you said He’s for you Mama.
And you flounced away like any God of Clay would
while I held your tender baby who I have to say
and may tell you later resembles the Bog
Men sunk thousands of years in the peat
sod gone all leather black, a badass in the mire.
I mean, the turtleneck! Peel it back, lift it up,
and I bet the hips and ribs are if nothing else
copper bone. The locked jaw of the last crone.
But not your man, no not your man. He’s got me
loving ugly, and not the cliché ugly, but the under-
appreciated ignored subtlety of ugly, homely
let's say because of the way
this ankle bone is as noble as the chin, his
petroleum black skin he’s in and been made of is ageless
in the palms of your hands, and could speak
and think the most crazy wild bewitching things but
just doesn’t need to because being made
was enough. Is enough. Shaped and unbetrayed,
breathed on, kept warm in a turtleneck sweater! with thumbnail cuffs!
Ohboy! and handed to me, for keeps, is enough.
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