Wednesday, September 29, 2021

Somewhere the Photos in a Clear Plastic Moving Box

 


Somewhere the Photos in a Clear Plastic Moving Box

 

Photographs are a writing of light.  Photos graphein. 

 

and:

 

                                                                                                                                 Perhaps

the greater responsibility lies with poetry, in any arrangement with photography

(rather than vice versa), to sort through the inaudible signals before speaking up.

 

                                                                                                  C. D. Wright

                                                                                                 Pictures Never Taken But Received

 

Since moving from one town

to another one house to

another I’ve kept

the photographs in a box in the attic

at the north end I couldn’t

tell you what box exactly

and one of these days I’m going

to have to find them before

someone else does but I’ve put that

off because what do I do

with them once I do

find them again I remember

framing your face your chin your eye

lid filled with what all the beaten

are filled with blood and suffering

probably and it was all you could do

 

lay sedated and cut-lipped

and when the exposed tissue pooled

its shreds and too much nerve

there was a gauze pad to dab it with

who but me speaking of nerve

had the balls to walk

along the side of the rail and raise

the flash ass to appetite ass to elbow throat to

swollen mouth hole (though enough

for one small straw) and those two raccoon

bruises through and through your

eye bones

 

you know those photos you never want

anyone to ever know about but you know

if you’d never taken them they would never be

believed like walking through

two or three years before you

were beaten the burned out  bedroom where you

huffed pure air remember I stepped in

the cooling pool of sooty fireman’s water

if I’d never taken all that into my eye

and froze them there in black

and white (it seemed the right medium

at the time) who would have known

there was a home there

at all where we all grew

in and out of tune to the music

of amitriptyline morphine oxy

 

and your sleep the sleep of one who sleeps

it off absences I’m sure

that’s what you intended to do

once you were able

to stand and glare at the blue blue you

naked you made your next two

or three moves and the edge

of the bed was in the exact spot

your muscles knew off by heart

like a recitation of some act

of contrition right

 

had he never found you there would never

be these squeezed with easier

moments photos (I remember telling

the 1 hour clerk there was a crime done

to you and not to be alarmed the police

were already involved you were

my mother and barely

hanging on at the hospital

up the hill she said she understood did she

understand

I dropped

the film off I went back an hour

later it was a hot June day

blue and not a cliché cloud in view

Friday, September 3, 2021

After Jane Hirshfield's Spell to be Said Against Hatred

 






After Jane Hirshfield's Spell to be Said Against Hatred


Until the Dramatis Personae of the book's first pages says 'Each one is you.'

              Jane Hirshfield

              Spells Against Hatred


what vessel would you be if you had to be

a vessel that would carry each and

all the stories living and dead beneath

the bone and sinew of your body your neighbor's

body the bone and sinew of strangers on paved


or unpaved roads rural or super highways or bullet

trains and their special tracks like the ones

in Japan that can and can't slow down 

paradoxically in a vessel that takes them to

wherever their wherever is in a hurry such


as the California condor could never

comprehend?  Would you be an animate

or inanimate vessel and then ambulatory or station

-ary until someone if they could if they wanted to

moved you which is to say are you the train


or are you her passengers or even are you her 

just the right recipe of carbon and steel rods

and rails and roads?  And of passengers are you

standing or sitting are your limbs loose or

keyed are your eyes and navel shut or or 


halfway closed lazy or startled wide with surprise

or shock or deja vu wary?  Or maybe you

would be the story of your choice in a stained

glass window in a cathedral or chapel again

your choice and you would be the colors


and you would be the lights (sun and altar

or stations of the cross candle) and too the leaded

solids between each broken mosaic's tesserae

and then be the eyes taking it all in and suddenly

blink and sting and turn off the voices reading


in your head and settle instead on the two

cruets of olive oil and wine respectively and watch

the slow air bubbles rise but not rise in 

the acidic green and be too that chrism pressed

between their own olive wood Gethsemanes,


squeezed and squeezed into sweet agony of flesh 

of pits of kisses of inexhaustible after inexhaustible

drop falling and caught on the thumb and rubbed 

into the finger and lifted to hover while 


the proper prayer is conjured and said above

the head of the almost blessed the almost (but O!

the tired limbs of the godmother) redeemed, 

the almost free?